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- Advertising’s backroom boys take the battle to the marketing front
- Advertising’s newest enemy is the legion of freelancers the agencies laid off
- ASA goes into liquidation
- Bid-Rigging & Commercial Production – a call to action
- By Invitation Only: Downsides of in-house production
- By Invitation Only: How to choose your production company.
- By invitation only: Production transparency is everyone’s business
- Changes to SA Visa Requirements
- City launches one-stop portal for film industry – Film Cape Town
- City of Cape Town pledges to grow and transform the film industry
- City of Cape Town publishes Film Tariffs for 2017/2018
- Commercial production rises to the challenges of Covid-19
- Confessions of a consultant: Beware of agencies taking production in-house
- CPA “end of year” breakfast in Johannesburg
- CPA Feature in The Location Guide
- CPA launch Film Friendly Cape Town
- CPA position on in-house production
- CPA publishes new “CPA Covid-19” Protocol
- CPA releases updated protocols for Covid-19
- CPA statement on civil unrest in South Africa
- CPA, CC&A and the Chesterfield Group launch new “CPA Group Insurance Scheme”
- Creating a unified voice and strong foundation for an industry in flux
- Creative Coalition to challenge Copyright Amendment Bill
- FIVA announces changes to visa requirements
- Follow our monthly “Martini Shot” column in Mark Lives
- Foreign directors and DP’s working on local commercials now require specialist S11(2) visas
- French advertisers say “non” to in-house production
- Home Affairs: A production industry partner
- India: ASAP shoots letter against agency owned production houses
- Isn’t it Ironic? The IPA’s stance on in-house production units puts indies at risk
- Latest research from Think Box shows TV advertising still offers best value
- Loaning out your talent – a view from the USA
- Making local (even more) lekker: good for everyone
- Motion picture’s digital revolution
- New Performing Animals Protection Amendment Act comes into law.
- Performing Animals Protection Act: All you need to know
- PoPI, social media and influencers
- Producers of the World Unite in Cannes
- Remembering the great Keith Rose
- SA advertising and film industry in the grips of global struggle against bid rigging
- SA industry bodies draft Advertising Code of Practice for Social Media
- SanParks FAQ
- South Africa moves from red to green
- South Africa now on Alert Level 1
- South Africa’s borders open to all international clients
- The Ad Contrarian: Dying at Cannes
- The CPA welcomes Smokin’ Gun & Disco Creatives to membership
- The idea is King, but is the King dead?
- The Martini Shot: #MeToo in SA Film Production
- The Martini Shot: 6 reasons to join an industry association today
- The Martini Shot: A look at the Service Industry
- The Martini Shot: Adopt a greener approach to commercial production
- The Martini Shot: Buyer Beware
- The Martini Shot: Cooperation vital for commercial-service sector success
- The Martini Shot: Coronavirus-The long road back
- The Martini Shot: Ethics not a county next to Sussex
- The Martini Shot: Give credit where credit is due
- The Martini Shot: How intl approach to in-house impacts here
- The Martini Shot: How to store your commercial
- The Martini Shot: Proudly (and unashamedly) South African
- The Martini Shot: Revisiting the fundamentals of production
- The Martini Shot: The balancing act of negotiation
- The Martini Shot: The importance of a production craft awards show
- The Martini Shot: The importance of Freeing the Bid, SA Style
- The Martini Shot: The non-negotiable importance of safety on set
- The Martini Shot: The State of SA Commercial Production
- The Martini Shot: The state of SA Commercial Production 2018/19
- The Martini Shot: Trade Associations in an unfamiliar world
- The Martini Shot: TV is still king in the ad jungle
- The Martini Shot: Why prompt payment ensures smooth production
- The Slow Death of Creativity in the context of Unseasoned Talent and Data Algorithms
- The truth about cats and dogs (in the film industry)
- Why Advertising is moving away from Ad Agencies
- ADSG
- Alan Irvin
- Amy Allias
- Anton Visser
- Asher Stoltz
- Batandwa Alperstein
- Bevan Cullinan
- Brent Harris
- Brin Kushner
- Bruno Bossi
- Bryan van Niekerk
- Chloe Coetsee
- Chris Saunders
- Cindy Lee
- Dani Hynes
- Daniel Levi
- Daniel Morcos
- Director Kit
- Dirk van Niekerk
- Duncan Robson
- Elmi Bad
- Erica Brumage
- Fausto Becatti
- Gareth Kaatze
- Graeme Carr
- Grant de Sousa
- Greg Gray
- Greg Rom
- Gregg Bailey
- Hylton Tannenbaum
- Ian Difford
- Ian Gabriel
- Ian Morgan
- Jabu Nadia Newman
- Jason Fialkov
- Jenna Theron
- Jono Hall
- Justice
- Justine Calverley
- Karien Cherry
- Kevin Fitzgerald
- Kim Geldenhuys
- Kyle Lewis
- Lauren Chengan
- Laurissa Vergottini
- Lebogang Rasethaba
- Leigh Ogilvie
- Louis Minaar
- Lourens van Rensburg
- Malo 8
- Mark Middlewick
- Markstry
- Matthys Boshoff
- Meja Shoba
- Mfundo
- Michael Matthews
- Monde Gumede
- Morgan Dingle
- Mpho Twala
- Mzonke Maloney
- Nadezna Radcore
- Nic Eve
- Nicole Maria Ackermann
- Paul Ward
- Peri van Papendorp
- PHI 2.0
- Porteus Xandau
- Rio Allen
- Rob Malpage
- Robin Adams
- Robin Goode
- Ross Garrett
- Sam Coleman
- Shane Knock
- Simon Barnes
- Simon Cracknell
- Slim
- Sunu
- Teboho Mahlatsi
- Tebza
- Terence Neale
- Tipi Manyelo
- Travys Owen
- Trevor Clarence
- Tristan Holmes
- Tshepo Moseue
- Warren Kushner
- Wim Steytler
- Zee Ntuli
- Zipho Dlangamandla
- Zwelethu Radebe
- 03:07
- 7 Films
- AFS Productions
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- Braille
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- Robot
- Rocket Films
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- Team Best Production
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- Your Girlfriend
- ADGREEN
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- Cannes Lions
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- XE Currency & Exchange